Pair of Hand-Thrown Porcelain Lidded Jars – Black & Cream

£242.00
Pair of Hand-Thrown Porcelain Lidded Jars – Black & Cream - Olivia Horley Ceramics The Garnered Porcelain Canisters
Pair of Hand-Thrown Porcelain Lidded Jars – Black & Cream - The Garnered Olivia Horley Ceramics Black Canister
Pair of Hand-Thrown Porcelain Lidded Jars – Black & Cream - The Garnered Olivia Horley Ceramics Black Canister Lid Off
Pair of Hand-Thrown Porcelain Lidded Jars – Black & Cream - Olivia Horley Ceramics The Garnered Porcelain Canister Cream Shut
Pair of Hand-Thrown Porcelain Lidded Jars – Black & Cream - Olivia Horley Ceramics The Garnered Porcelain Canister Cream
Pair of Hand-Thrown Porcelain Lidded Jars – Black & Cream - Olivia Horley Studio The Garnered Sarah Weal Clay Styled
Pair of Hand-Thrown Porcelain Lidded Jars – Black & Cream - Olivia Horley Studio The Garnered Sarah Weal Throwing Styled
Pair of Hand-Thrown Porcelain Lidded Jars – Black & Cream - Olivia Horley Studio The Garnered Sarah Weal Tools
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Pair of Hand-Thrown Porcelain Lidded Jars – Black & Cream
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For Olivia Horley, one-time apprentice of Edmund de Waal, the process of making is integral to the finished pot. These lidded jars – beautiful objects in their own right, but designed to be used in everyday life – are hand thrown and then scored at the leather stage. The resulting tactile pieces call out to be held. Sold as a contrasting pair, these two jars, being unique, will have slightly different dimensions.

Product details

Material: Porcelain
Dimensions: White: H 12cm; W 10cm
Black: H 13cm; W 9cm
Dimensions are approximate as each jar its unique
Origin: UK

Care instructions

Dishwasher safe.

However, we do recommend washing by hand.

About Olivia Horley

Horley grew up around pottery. A French studio potter lived on her family’s farm, and she would watch him throw from a young age. Handmade pottery was part of daily life: the Mexican Pueblo ware from her mother’s childhood, Danish pieces collected by her parents, Limoges from her grandfather. Her grandparents were artists, and at the Steiner school she attended, making by hand – something the Steiner movement believes connects us to humanity – was taken very seriously.

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"I like a pot to tell the history of its making and materiality, rather than eradicate the process for a polished end piece. "

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