Hand-Thrown Cream Porcelain 'Cut' Bowl

£83.00
Hand-Thrown Cream Porcelain 'Cut' Bowl - Olivia Horley Ceramics The Garnered Porcelain Cut Bowl Foot Side
Hand-Thrown Cream Porcelain 'Cut' Bowl - Olivia Horley Ceramics The Garnered Porcelain Cut Bowl Foot Above
Hand-Thrown Cream Porcelain 'Cut' Bowl - Olivia Horley Ceramics The Garnered Porcelain Cut Bowl Foot
Hand-Thrown Cream Porcelain 'Cut' Bowl - Olivia Horley Ceramics The Garnered Porcelain Cut Bowl Foot Stack 3
Hand-Thrown Cream Porcelain 'Cut' Bowl - Olivia Horley Studio The Garnered Sarah Weal Clay Styled
Hand-Thrown Cream Porcelain 'Cut' Bowl - Olivia Horley Studio The Garnered Sarah Weal Cut Styled
Hand-Thrown Cream Porcelain 'Cut' Bowl - Olivia Horley Studio The Garnered Sarah Weal Cut Bowl Stack
  • - Ships from UK in 7 to 10 days
  • - Import duties and taxes are included where applicable

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Hand-Thrown Cream Porcelain 'Cut' Bowl
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For Olivia Horley, the Lewes-based ceramicist, pots provide a sanctuary, creating a moment of stillness in our busy lives. She throws her bowls on the wheel, but then when they are at the 'leather' stage, she cuts and re-forms their sides. The resulting bowls combine organic form with mathematical precision. They have an air of fragility but are designed to be used and enjoyed in everyday life.

Product details

Material: Porcelain
Dimensions: W at rim 15cm; W at base 4.5cm; H and 8cm
Dimensions are approximate as each bowl is unique
Origin: UK

Care instructions

Dishwasher safe

However, we would recommend washing by hand

About Olivia Horley

Horley grew up around pottery. A French studio potter lived on her family’s farm, and she would watch him throw from a young age. Handmade pottery was part of daily life: the Mexican Pueblo ware from her mother’s childhood, Danish pieces collected by her parents, Limoges from her grandfather. Her grandparents were artists, and at the Steiner school she attended, making by hand – something the Steiner movement believes connects us to humanity – was taken very seriously.

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"I like a pot to tell the history of its making and materiality, rather than eradicate the process for a polished end piece. "

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